{"id":4420,"date":"2024-05-24T18:17:57","date_gmt":"2024-05-24T16:17:57","guid":{"rendered":"https:\/\/side-views.com\/?p=4420"},"modified":"2024-05-24T18:17:57","modified_gmt":"2024-05-24T16:17:57","slug":"breaking-points-fragments","status":"publish","type":"post","link":"https:\/\/side-views.com\/en\/breaking-points-fragments\/","title":{"rendered":"BREAKING POINTS.Fragments"},"content":{"rendered":"\n

Could you be the protagonist of your history?<\/strong><\/p>\n\n\n\n

The GDR, as a chapter of German history, has been swimming in a variety of documented facts for more than three decades, but it has also been drowned in different versions of what happened: historians, professors, politicians and other specialists, each speaking from their field of knowledge about this delicate subject, have offered their perspectives. However, this necessary process has often been surrounded by a set of fair and unfair judgments about the Berlin Wall and what happened related to this during those years. <\/p>\n\n\n\n

But the \u201eWest\u201c, as it’s clear, could also be assessed concerning these same issues. In the background of this dynamic the question arises: Who is narrating on behalf of whom exactly?<\/p>\n\n\n\n

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Foto sideviews<\/figcaption><\/figure>\n\n\n\n
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Foto sideviews<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

The project BREAKING POINTS.Fragments<\/em> was developed by sideviews<\/em> with contemporary witnesses from Marzahn-Hellersdorf in cooperation with HKW (House of the World Cultures). It addresses the historical issues raised by the exhibition project Echoes of the Brother Land <\/em>in a process that attempts to listen to and give a voice to those who experienced the facts of divided Germany and their experiences of events in the “East” in relation to immigration, labour and racism in society. However, BREAKING POINTS.Fragments<\/em> refuses any form of judgement to listen to the voices of those who experienced the facts. It gives power back to the protagonists in a theatrical-therapeutic gesture: what has been repressed inevitably returns.<\/p>\n\n\n\n

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Foto sideviews<\/figcaption><\/figure>\n\n\n\n
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Foto Jamila Grote<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Foto Hannelore Eckert<\/figcaption><\/figure>\n\n\n\n
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Foto Jamila Grote<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Artistic director\/director: Anja Scheffer<\/p>\n\n\n\n

Films: Daniel Harder<\/p>\n\n\n\n

Editing: Cornelis Harder<\/p>\n\n\n\n

Costume design: Daria Kornysheva<\/p>\n\n\n\n

Production Management: Anna Bartels, Anja Scheffer<\/p>\n\n\n\n

By and with: Hannelore Eckert, Wilma Florath, Monika Kegel, Hans-Heino Luxa, Tomma Luxa, Kirsten M\u00fcller, Anja Paetsch, Christel Sickers, Uwe Sickers<\/p>\n\n\n\n

Guests: Juana-Victoria G\u00fcneser, Mavinga P. Petrasch, Ibraimo Alberto, Romy Drieschner, Elona Sagor, Phanuel Nlend Nlend<\/p>\n\n\n\n

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Foto sideviews<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Could you be the protagonist of your history? The GDR, as a chapter of German history, has been swimming in a variety of documented facts for more than three decades, but it has also been drowned in different versions of what happened: historians, professors, politicians and other specialists, each speaking from their field of knowledge […]<\/p>\n","protected":false},"author":2,"featured_media":4349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tteo2020_transparent_header":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[90,88,91],"tags":[255,250,93,94,95],"class_list":["post-4420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spiel-en","category-museum-en","category-theater-en","tag-contemporary-witness","tag-gdr","tag-hkw-en","tag-interaktiv-en","tag-performance-en"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t